In 1911, Industrias Gráficas Seix y Barral Hnos. was founded from the merger of Litografia Seix and Barral Hermanos. During the first half of the 20th century, it was famous for its historical and school publications. It solicited the contributions of illustrious educators and intellectuals such as Pau Vila and Artur Martorell, along with the designer Ricard Giralt-Miracle. After 1954, when Carlos Barral became the literary director, he effected a radical change and the company began to add more outstanding works from European and Latin American literature into its catalogue. It was accompanied in this process of transformation by such prominent intellectuals as Joan Petit, Jaime Gil de Biedma, José Agustín Goytisolo and Josep Maria Castellet.
+ informationThe Biblioteca de Catalunya conserves the deposit of the Carlos Barral collection, owned by the Calafell Town Hall in a use agreement, and it holds some of the correspondence through a donation.
Carlos Barral collection in the Biblioteca de Catalunya
Carlos Barral correspondence collection, 1956-1984 in the Biblioteca de Catalunya
Catalogue of publishers and booksellers from the Bergnes de las Casas collection (Biblioteca de Catalunya)
Catalogues of publishers of Catalonia (Biblioteca de Catalunya)
More information and documentation on the works produced
Website of Seix Barral (Grup Planeta)
Casa Barral Museum in Calafell
Llanas, Manuel. L'Edició a Catalunya. Segle XX (fins a 1939). Barcelona: Gremi d'Editors de Catalunya, 2005.
Llanas, Manuel. L'Edició a Catalunya. Segle XX (1939-1975). Barcelona: Gremi d'Editors de Catalunya, 2005.
Seix Barral, catálogo de autores. Barcelona: Seix Barral, 2011.
Seix Barral : nuestra historia (1911-2011). Barcelona: Seix Barral, 2011.
Vila-Sanjuán, Sergio. Pasando pàgina : autores y editores en la España democràtica. Barcelona: Destino, cop. 2003.
In 1911, Industrias Gráficas Seix y Barral Hnos. was founded from the merger of Litografia Seix and Barral Hermanos. During the first half of the 20th century, it was famous for its historical and school publications. It solicited the contributions of illustrious educators and intellectuals such as Pau Vila and Artur Martorell, along with the designer Ricard Giralt-Miracle. After 1954, when Carlos Barral became the literary director, he effected a radical change and the company began to add more outstanding works from European and Latin American literature into its catalogue. It was accompanied in this process of transformation by such prominent intellectuals as Joan Petit, Jaime Gil de Biedma, José Agustín Goytisolo and Josep Maria Castellet.
The first book published in the new era led by Carlos Barral was Frederick K. Hoffman’s La novela moderna en Norteamérica (The Modern Novel in America), translated by Josep Maria Castellet and published as part of the legendary Biblioteca Breve collection. All the historical collections, in addition to the books, manuals and school materials that had characterised the publishing house in the previous decades, gradually disappeared.
Carlos Barral’s closest colleague, Víctor Seix, died in 1967, leaving their shared project truncated. Shortly thereafter, Carlos Barral left the company to found Barral Editores (1970-1977). Joan Ferraté, Josep Maria Carandell and Pere Gimferrer are just some of the literary directors that succeeded him in Seix Barral.
In 1974, Seix Barral merged with the Ariel publishing house. The former continued to primarily issue fiction and creative works, while the latter targeted the world of universities. An internal crisis ended with both companies being acquired by Grup Planeta in 1982, although they kept publishing separately under their respective names.
The Biblioteca Breve Prize created in 1958 and resumed in 1999 is one of the publishing house’s most important awards.
From its founding in 1911 until the Civil War, Seix Barral specialised in school books and materials, an undertaking for which it enlisted the expertise of some of the leading educators and intellectuals of the era. It also published works targeted at children and scholarly cultural studies. In 1954, Carlos Barral became the literary director and shifted the editorial line. The Biblioteca Breve and Biblioteca Formentor collections became the spearheads of change with fiction, poetry and essay. With Pere Gimferrer as the literary director, fiction continued to reign in its most important collections, with both original texts and translations.