Argos Vergara was founded from the merger of two large Barcelona publishing houses, the bookshop-publisher Argos and the publisher Vergara, both of which were characterised by the diversity of their publishing output. Mario Lacruz, a literary editor from Plaza & Janés, where he would later return, took over the new company and started to build a new catalogue. One of his early ideas was to combine high-quality and commercial publishing without making a major distinction between the two.
+ informationThe Biblioteca de Catalunya has the personal papers of Ignasi Agustí, the literary editor at Argos, and Josep Maria Boix i Selva, the literary editor at Vergara, back when these two publishing houses were different companies.
Ignasi Agustí collection at the Biblioteca de Catalunya
Josep Maria Boix i Selva collection at the Biblioteca de Catalunya
Catalogue of publishers and booksellers from the Bergnes de las Casas collection (Biblioteca de Catalunya)
Catalogues of publishers of Catalonia after 1976 (Biblioteca de Catalunya)
More information and documentation on the works produced
Llanas, Manuel. L'Edició a Catalunya. Segle XX (1939-1975) Barcelona: Gremi d'Editors de Catalunya, 2006
Vila-Sanjuán, Sergio. Pasando pàgina : autores y editores en la España democràtica. Barcelona: Destino, 2003
Argos Vergara was founded from the merger of two large Barcelona publishing houses, the bookshop-publisher Argos and the publisher Vergara, both of which were characterised by the diversity of their publishing output. Mario Lacruz, a literary editor from Plaza & Janés, where he would later return, took over the new company and started to build a new catalogue. One of his early ideas was to combine high-quality and commercial publishing without making a major distinction between the two.
The new imprint continued with large-format works meant primarily to be sold in instalments, with general and specialised encyclopaedias and dictionaries. Stories and document books were gathered into collections like Libros Vivos, Libros DB, En Cuarto Mayor, Primera Plana and the original Las Cuatro Estaciones, while children’s books belonged to collections like El Drac Vermell and Els Llibres de la Gata (both genres appeared in Catalan, Spanish, Basque and Galician). The launches of some of these collections were accompanied by major advertising campaigns.
The publishing house, which was headquartered in Barcelona and had several offices all around Spain, also had direct representations, investee companies and branches in different countries in Latin America.
In 1994, Argos Vergara, along with the Labor and Toray publishing houses, all of them subsidiaries of the Telepublicaciones group, filed for suspension of payments.
The large-format collections of encyclopaedias and dictionaries inherited from Vergara were joined by new ones such as the Argos Enciclopedia Temática and its Geografía Universal Ilustrada. Numerous collections were created, particularly featuring translated contemporary fiction, but also informative works, journalistic reports and children’s and young reader literature. Some of the collections were accompanied by major advertising campaigns.
Illustration by Montse Ginesta for the story Adelaida la pastissera, whose text she also wrote.